Richard Eyre's season-opening new production of Mozart's eternal masterpiece is set in an 18th-century manor house in Seville during the 1930s. Erwin Schrott in the title role leads a stellar cast that also includes Mariusz Kwiecien as the Count and Danielle de Niese as Susanna, along with Met debutantes Rachel Willis-Sørensen as the Countess and Serena Malfi as Cherubino. Edo de Waart conducts.
Verdi's consumptive courtesan returns in Willy Decker's timeless setting, with rising sopranos Marina Rebeka and Sonya Yoncheva sharing the role of the title heroine. Stephen Costello and Francesco Demuro are Alfredo, Ludovic Tézier is Germont, and Marco Armiliato conducts.
Returning for the holidays, this season's family entertainment is Richard Jones's witty production of Humperdinck's fairy-tale opera, conducted by Sir Andrew Davis, in which two children face off against a wicked witch. In a lush setting of giant chefs, suit-clad trees, and an industrial kitchen where the Witch gets what's coming to her, Aleksandra Kurzak as Gretel and Christine Rice as Hansel will lead a visual and delightful feast for our younger patrons.
Grand opera at its grandest: the splendors of ancient Egypt return to the stage of the Met. Verdi’s mythic love triangle features Liudmyla Monastyrska, Tamara Wilson, and Oksana Dyka sharing the title role, with Olga Borodina and Violeta Urmana as Amneris and Marcello Giordani and Marco Berti singing Radamès. Marco Armiliato and Plácido Domingo share conducting duties.
The great Renée Fleming stars as the beguiling femme fatale who captivates all Paris in Lehár’s enchanting operetta, seen in a new staging by Broadway virtuoso director and choreographer Susan Stroman (The Producers, Oklahoma!, Contact). Stroman and her design team of Julian Crouch (Satyagraha, The Enchanted Island) and costume designer William Ivey Long (Cinderella, Grey Gardens, Hairspray) have created an art-nouveau setting that climaxes with singing and dancing grisettes at the legendary Maxim’s. Nathan Gunn co-stars as Danilo and Kelli O’Hara is Valencienne. Mezzo-soprano diva Susan Graham takes on the title role later in the run. Sir Andrew Davis and Fabio Luisi conduct.
Franco Zeffirelli’s classic take on Puccini’s most popular opera, the immortal tale of tragic young love, is set among the rooftops of bohemian Paris. The role of the fragile Mimì is shared by Sonya Yoncheva, Angela Gheorghiu, and Kristine Opolais, with Ramón Vargas and Jean-François Borras as the love-sick poet Rodolfo. Riccardo Frizza conducts.
Vittorio Grigolo and Matthew Polenzani take turns playing the tortured poet and unwitting adventurer of the title. The roles of the three heroines are shared by an impressive lineup of singing actresses, including Hibla Gerzmava, Susanna Phillips, Erin Morley, Audrey Luna, Christine Rice, and Elena Maximova. Thomas Hampson sings the Four Villains, and James Levine and Yves Abel conduct Offenbach’s sparkling score.
Anna Netrebko moves boldly into Verdi with her searing portrayal of Lady Macbeth, the mad and murderous mate of Željko Lucic’s doomed Macbeth. Adrian Noble’s chilling production also stars Joseph Calleja as the noble Macduff and René Pape as Banquo. Fabio Luisi conducts.
On the heels of her triumphant Met performances as Tatiana in Eugene Onegin, soprano Anna Netrebko takes on another Tchaikovsky heroine in the first opera of this intriguing double bill, consisting of an enchanting fairy tale (Iolanta) followed by an erotic psychological thriller (Bluebeard’s Castle). Netrebko stars as the beautiful blind girl who experiences love for the first time in Iolanta, while Nadja Michael is the unwitting victim of the diabolical Bluebeard, played by Mikhail Petrenko. Both operas are directed by Mariusz Trelinski, who was inspired by classic noir films of the 1940s. Iolanta also stars Piotr Beczala, and Maestro Valery Gergiev conducts both operas.
The magnetic Peter Mattei is Don Giovanni, performing alongside the starry ensemble of Elza van den Heever, Emma Bell, and Luca Pisaroni. New York Philharmonic Music Director Alan Gilbert crosses the Lincoln Center Plaza to conduct.
Julie Taymor's transcendent production of Mozart's magical composition, seen this season in its full-length German version, features a youthful cast led by Miah Persson as Pamina, Kathryn Lewek as the Queen of the Night, Toby Spence as Tamino, Markus Werba as Papageno, and Tobias Kehrer as Sarastro. Adam Fischer conducts.
Richard Eyre’s stunning production returns with two of its great leading ladies, Elina Garanca and Anita Rachvelishvili, who share the title role of the ill-fated temptress. Aleksandrs Antonenko, Roberto Alagna, and Jonas Kaufmann take turns playing Carmen’s desperate lover, Don José. Pablo Heras-Casado and Louis Langrée share conducting duties.
Joyce DiDonato and Juan Diego Flórez join forces for this Rossini showcase of bel canto virtuosity, set in the medieval Scottish highlands. DiDonato is the “lady of the lake” of the title, and Flórez is the king who relentlessly pursues her, with their vocal fireworks embellishing the tragic plot. This Met premiere production is directed by Paul Curran and conducted by Michele Mariotti.
The vocally high-flying soprano Diana Damrau sings her first Met performances of Massenet’s beguiling heroine, opposite the ardent tenor Vittorio Grigolo, in Laurent Pelly’s elegant production, conducted by Emmanuel Villaume.
New coloratura talent Albina Shagimuratova sings bel canto’s unhinged bride, delivering opera’s most thrilling mad scene. Joseph Calleja is her tragic lover. Mary Zimmerman’s production evokes the moors and castles of Scotland for Donizetti’s melodic journey of love and deception, conducted by Maurizio Benini.
James Levine and Plácido Domingo reunite for Levine’s first Met Ernani since 1983 and Domingo’s first-ever performances of the baritone role of Don Carlo. Francesco Meli stars in the title role, and Angela Meade is the soprano heroine Elvira, caught between rivals for her love.
Dynamic maestro Yannick Nézet-Séguin conducts Verdi’s ambitious score with a stand-out cast in Nicholas Hytner’s handsome production. Yonghoon Lee sings the title role, with Barbara Frittoli, Ekaterina Gubanova, Simon Keenlyside, James Morris, and Ferruccio Furlanetto, reprising his definitive portrayal of King Philip.
Shostakovich’s towering tragedy of adultery and murder stars the commanding dramatic soprano Eva-Maria Westbroek as the heroine who suffers the vicissitudes of her treachery. Brandon Jovanovich is her co-conspirator and lover, and James Conlon conducts.
Opera’s most enduring tragic double bill returns in an evocative new production from Sir David McVicar (Giulio Cesare, Maria Stuarda, Il Trovatore), who sets the verismo action across two time periods but in the same Sicilian setting. Marcelo Álvarez rises to the challenge of playing the dual tenor roles of Turiddu in Cavalleria Rusticana and Canio in Pagliacci. Rae Smith (War Horse) has designed the moodily atmospheric 1900 village square setting of Cavalleria Rusticana, which transforms to a 1948 truck stop for the doomed vaudeville troupe of Pagliacci. Eva-Maria Westbroek (Cav) and Patricia Racette (Pag) play the unlucky heroines. Met Principal Conductor Fabio Luisi is on the podium.
Tenor Piotr Beczala sings King Gustavo for the first time at the Met in his very first collaboration with Music Director James Levine. Sondra Radvanovsky, Dolora Zajick, and Dmitri Hvorostovsky reprise their acclaimed interpretations in the revival of David Alden’s film noir-inspired production.
James Levine revisits one of his favorite 20th-century classics: Stravinsky’s only full-length opera, with its wondrous neo-classical score, back on the Met stage for the first time in 12 years. Paul Appleby adds another leading role as Tom Rakewell, opposite Layla Claire as Anne Trulove, Stephanie Blythe as the bearded lady Baba the Turk, and Gerald Finley as the devilish Nick Shadow.