The Metropolitan Opera on KDFC

 
KDFC is home to The Metropolitan Opera broadcast, featuring full-length productions of the latest the Met has to offer.
Launched in 1931, the Met’s Saturday matinee broadcasts are the longest-running continuous classical radio series in American broadcast history. Tune in to Classical KDFC each Saturday morning at 10am for another wonderful Metropolitan Opera Broadcast.

DECEMBER 3, 2016
Manon Lescaut by Giacomo Puccini
Anna Netrebko in the title roll, stars as a heroine as alluring and irresistible as her adored city of Paris. Marcelo Álvarez is her obsessed lover in the opera that made Puccini famous, showcased in Richard Eyre’s heated,1940s film noir–inspired production, with Marco Armiliato on the podium.

DECEMBER 10, 2016
L’Amour de Loin by Kaija Saariaho
Finnish composer Kaija Saariaho’s breakthrough opera was described by the New York Times as “transfixing…a lushly beautiful score.” Commissioned by the Salzburg Festival, where it was first seen in 2000, it will now finally have its Metropolitan Opera premiere in a dazzling new production by Robert Lepage, featuring glimmering ribbons of LED lights that extend across the length of the stage and over the orchestra pit. Eric Owens is the knight on a quest of love, Susanna Phillips is his lover on the other side of the sea, and Tamara Mumford is the pilgrim who brings messages back and forth. Conductor Susanna Mälkki makes her Met debut.

DECEMBER 17, 2016
Salome by Richard Strauss
Richard Strauss’s revolutionary score and scandalous Oscar Wilde–inspired drama took the world by storm at its premiere and continues to wow audiences today. Patricia Racette takes on the tour-de-force title role, part innocent and part sexual predator, for the first time at the Met. Željko Lučić is her prophetic nemesis Jochanaan, John the Baptist. Gerhard Siegel is Herod, and Johannes Debus conducts.

DECEMBER 24, 2016
Hansel and Gretel by Engelbert Humperdinck
Recorded live in 2008. Vladimir Jurowski conducts.

DECEMBER 31, 2016
L’Italiana in Algeri by Gioachino Rossini
James Levine conducts this comedy of a feisty Italian girl turning the tables on her bumbling captors via Rossini’s blend of madness and fun. Mezzo-soprano Marianna Pizzolato makes her Met debut in the title role, opposite tenor René Barbera and baritone Nicola Alaimo. Bass-baritone Ildar Abdrazakov plays the pasha who is overcome by love and pasta.

JANUARY 7, 2017
Nabucco by Giuseppe Verdi
The legendary Plácido Domingo brings another new baritone role to the Met under the baton of his longtime collaborator James Levine. Liudmyla Monastyrska is Abigaille, the warrior woman determined to rule empires, and Jamie Barton is the heroic Fenena. Dmitri Belosselskiy is the stentorian voice of the oppressed Hebrew people.

JANUARY 14, 2017
La Bohème by Giacomo Puccini
The Met presents its spectacular Zeffirelli production with Ailyn Pérez and Michael Fabiano staring as the young Parisian lovers at the center of the story. Susanna Phillips, David Bizic, and Massimo Cavalletti also star. Carlo Rizzi and Marco Armiliato conduct.

JANUARY 21, 2017
Roméo et Juliette by Charles Gounod
When Diana Damrau and Vittorio Grigolo starred opposite each other in Manon at the Met in 2015, the New York Times said, “the temperature rises nearly to boiling every time Damrau and Grigolo are on stage together.” Now they’re back as opera’s classic lovers, in Gounod’s lush Shakespeare adaptation. The production, by director Bartlett Sher, has already won acclaim for its vivid 18th-century milieu and stunning costumes during runs at Salzburg and La Scala. Gianandrea Noseda conducts the sumptuous score.

JANUARY 28, 2017
Il Barbiere di Siviglia by Gioachino Rossini
Peter Mattei reprises one of his most compelling portrayals, that of the wily barber Figaro. The Met’s popular production of Rossini’s comedic jewel—performed in the full-length Italian version—also pairs bel canto stars Pretty Yende and Javier Camarena as the lovers Rosina and Count Almaviva, with Maurizio Benini conducting.

FEBRUARY 4, 2017
Rigoletto by Giuseppe Verdi
Michael Mayer’s hit production of Rigoletto places the action in a neon-bedecked Las Vegas in 1960. Stephen Costello stars as the womanizing Duke, Olga Peretyatko is the innocent Gilda, and Željko Lučić reprises his heartbreaking take on the tragic title role. Pier Giorgio Morandi conducts.

FEBRUARY 11, 2017
Carmen by Georges Bizet
French mezzo-soprano Clémentine Margaine stars as Bizet’s immortal heroine. Tenor Marcelo Álvarez is her hapless soldier Don José, and newcomer Maria Agresta—a sensation in her debut in La Bohème in the current Met season—is the devoted Micaëla, who fights to save him. Dan Ettinger and Louis Langrée share conducting duties.

FEBRUARY 18, 2017
I Puritani by Vincenzo Bellini
The art of bel canto will take center stage in Bellini’s lyrical jewel. The electrifying Diana Damrau is Elvira, gripped by madness and love; Javier Camarena, a sensation in his recent appearances in other bel canto works, takes on the role of her beloved and heroic Arturo; and Alexey Markov and Luca Pisaroni are the soldiers caught up in the English Civil War. Maurizio Benini conducts.

FEBRUARY 25, 2017
Rusalka by Antonin Dvorak
Kristine Opolais stars in the role that helped launch her international career, the mythical Rusalka, who sings the haunting “Song to the Moon.” Mary Zimmerman brings her wondrous theatrical imagination to Dvořák’s fairytale of love and longing, rejection and redemption. Brandon Jovanovich, Jamie Barton, Katarina Dalayman, and Eric Owens complete the all-star cast, and Mark Elder conducts.

MARCH 4, 2017
Werther by Jules Massenet
Tenor sensation Vittorio Grigolo is Werther, the young poet who seeks the unattainable love of the beautiful Charlotte, sung by mezzo-soprano Isabel Leonard. Edward Gardner conducts Richard Eyre’s visual feast of a production.

MARCH 11, 2017
La Traviata by Giuseppe Verdi
Sonya Yoncheva sings one of opera’s most beloved heroines, the tragic courtesan Violetta, a role in which she triumphed on the Met stage in 2015, opposite Michael Fabiano as her lover, Alfredo, and Thomas Hampson as his father, Germont. Carmen Giannattasio sings later performances of the title role opposite Atalla Ayan, with the great Plácido Domingo as Germont. Nicola Luisotti conducts.

MARCH 18, 2017
Guillaume Tell by Gioachino Rossini
Rossini’s epic telling of the William Tell fable returns to the Met stage after an absence of more than 80 years, in a new production by Pierre Audi. Gerald Finley sings one of his signature roles as Tell, the revolutionary on a quest for freedom. Marina Rebeka is Mathilde and Bryan Hymel is her suitor, Arnold. Fabio Luisi conducts Rossini’s final, crowning operatic achievement.

MARCH 25, 2017
Idomeneo by Wolfgang Amadeus Mozart
Mozart’s first operatic masterpiece returns to the Met in the classic Jean-Pierre Ponnelle production, conducted by Music Director Emeritus James Levine. The superb ensemble includes Matthew Polenzani as the king torn by a rash vow; mezzo-soprano Alice Coote in the trouser role of his noble son Idamante; soprano Nadine Sierra as Ilia; and soprano Elza van den Heever as the volatile Elettra, who loves Idamante to the bounds of madness.

APRIL 1, 2017
Fidelio by Ludwig Van Beethoven
Beethoven’s only opera—an ode to freedom, justice, and the human spirit—returns to the Met with a fine cast. Adrianne Pieczonka is Leonore, who, disguised as Fidelio, courageously fights for her husband Florestan’s freedom. Klaus Florian Vogt is Florestan, Greer Grimsley is Don Pizarro, and Falk Struckmann is Rocco. Sebastian Weigle conducts.

APRIL 8, 2017
Tristan und Isolde by Richard Wagner
Tristan und Isolde opened the Met season in a new production by Mariusz Treliński (the director responsible for the 2014–15 season’s double bill of Iolanta and Bluebeard’s Castle), and will be well served by a cast of outstanding Wagnerians: Nina Stemme as Isolde, Stuart Skelton as Tristan, Ekaterina Gubanova as Brangäne, and René Pape as King Marke, with Sir Simon Rattle conducting, in one of his rare appearances at the Met.

APRIL 15, 2017
Aida by Giuseppe Verdi
The Met’s monumental staging is a dazzling backdrop for the star-crossed love story set amid the clash of ancient empires. Commanding soprano Krassimira Stoyanova stars in the title role, the slave girl Aida, who is secretly a princess. Violeta Urmana is the formidable Amneris, daughter of the Egyptian pharaoh, and Marco Berti is the hero Radamès, caught between them. Marco Armiliato and Daniele Rustioni conduct.

APRIL 22, 2017
Eugene Onegin by Pyotr Tchaikovsky
Tchaikovsky’s setting of Pushkin’s timeless verse novel is presented on the Met stage in Deborah Warner’s moving production, starring Anna Netrebko and Dmitri Hvorostovsky as Tatiana and Onegin. Alexey Dolgov sings the role of Lenski, and Robin Ticciati conducts.

APRIL 29, 2017
Der Fliegende Holländer by Richard Wagner
New Met star Michael Volle sings the title role of the ghostly sailor damned to wander the seas in search of the love that will set him free, under the baton of the exciting Yannick Nézet-Séguin. Amber Wagner is Senta, whose love he seeks. The powerhouse cast also includes Dolora Zajick, Ben Bliss, Franz-Josef Selig, and Jay Hunter Morris as Erik, returning for the first time after his memorable portrayal of Siegfried in Wagner’s Ring.

MAY 6, 2017
Cyrano de Bergerac by Franco Alfano
The comedy/tragedy of Cyrano de Bergerac and his beloved Roxane, a love story for the ages, comes alive in this rediscovered operatic gem, which packs the power of full-blooded Italian verismo. The title role is a signature part for the charismatic star tenor Roberto Alagna, performing it with the company for the first time opposite Met favorite Patricia Racette, who plays his secret love. Marco Armiliato conducts.

MAY 13, 2017
Der Rosenkavalier by Richard Strauss
The dream cast of Renée Fleming as the Marschallin and Elīna Garanča as Octavian star in Strauss’s grandest opera. In his new production, Robert Carsen, the director behind the Met’s recent Falstaff, places the action at the end of the Habsburg Empire, underscoring the opera’s subtext of class and conflict against a rich backdrop of gilt and red damask, in a staging that also stars Günther Groissböck as Baron Ochs. Sebastian Weigle conducts the sparklingly perfect score.  

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