Launched in 1931, the Met’s Saturday matinee broadcasts are the longest-running continuous classical radio series in American broadcast history. Tune in to Classical KDFC each Saturday morning at 10am for another wonderful Metropolitan Opera Broadcast.
December 2, 2017
Requiem by Giuseppe Verdi
For the first time since 2008, a special series of concerts of Verdi’s great mass, written in memory of Italian poet Alessandro Manzoni. The company has assembled a quartet of extraordinary soloists to join the incomparable Met Orchestra and Chorus: Krassimira Stoyanova, Ekaterina Semenchuk, Aleksandrs Antonenko, and Ferruccio Furlanetto.
December 9, 2017
The Magic Flute by Wolfgang Amadeus Mozart
The Met’s English-language family version of Mozart’s enchanting masterpiece has become one of the city’s essential holiday traditions. Evan Rogister conducts Julie Taymor’s spellbinding production, with special holiday pricing and a 100-minute running time. Nathan Gunn reprises his much-loved portrayal of the bird-catcher Papageno.
December 16, 2017
Norma by Vincenzo Bellini
“Ponselle, Milanov, Sutherland, Callas … after last night, Radvanovsky can add her name to the list,” declared the Huffington Post when Sondra Radvanovsky made her Met role debut as Norma in 2013. The 2017–18 season opens with a new production of Bellini’s masterpiece, starring Radvanovsky as the Druid priestess and Joyce DiDonato as her archrival, Adalgisa—a casting coup for bel canto fans. Tenor Joseph Calleja is Pollione, Norma’s unfaithful lover, and Carlo Rizzi conducts. Sir David McVicar’s evocative production sets the action deep in a Druid forest where nature and ancient ritual rule.
December 23, 2017
Le Nozze di Figaro by Wolfgang Amadeus Mozart
An exceptional ensemble of performers—including Ailyn Pérez, Nadine Sierra, Isabel Leonard, Luca Pisaroni, Mariusz Kwiecien, and Ildar Abdrazakov—share the stage in Mozart’s comic yet profound look at human nature and one crazy day in a wealthy Spanish household. Acclaimed Mozartean maestro Harry Bicket conducts Richard Eyre’s high-spirited production.
December 30, 2017
The Merry Widow by Franz Lehar
Susan Graham sings the title role of the fabulous woman of the world who sets out to conquer glamorous old Paris and get the one thing that has eluded her—a commitment from her playboy first love. Lehár’s delightful score of lush waltzes and beautiful ballads will sparkle with a supporting cast of Andriana Chuchman, Paul Groves, and the inimitable Sir Thomas Allen. Ward Stare conducts.
January 6, 2018
Hansel and Gretel by Engelbert Humperdinck
A Met English-language holiday presentation, Richard Jones’s clever production of Humperdinck’s fairy-tale opera is based on the Brothers Grimm story. Donald Runnicles conducts the sweeping score and a delightful cast, including the legendary Dolora Zajick as the wayward siblings’ mother. Tara Erraught and Ingeborg Gillebo share the role of Hansel, and Lisette Oropesa and Maureen McKay share the role of Gretel.
January 13, 2018
Cavalleria Rusticana by Pietro Mascagni & Pagliacci by Ruggero Leoncavallo
Roberto Alagna takes on the leading tenor roles in both parts of opera’s most popular double bill. In Cavalleria Rusticana, Ekaterina Semenchuk and Eva-Maria Westbroek share the role of the woebegone Santuzza, with Aleksandra Kurzak as the hot-blooded Nedda in Pagliacci. Nicola Luisotti conducts Sir David McVicar’s production, which heightens the melo-dramaticaction of this timeless verismo pairing.
January 20, 2018
Thaïs by Jules Massenet
Ailyn Pérez is the alluring courtesan and Gerald Finley is the holy man who tries to resist her powers of seduction in Massenet’s tale of sensuality versus spirituality. Emmanuel Villaume conducts.
January 27, 2018
Tosca by Giacomo Puccini
Sir David McVicar’s ravishing new production offers a splendid backdrop for extraordinary soprano Sonya Yoncheva in the title role of the jealous prima donna. Vittorio Grigolo takes on the role of Tosca’s revolutionary artist lover Cavaradossi, with Željko Lučić as the depraved police chief Scarpia. Emmanuel Villaume conducts.
February 3, 2018
Il Trovatore by Giuseppe Verdi
Marco Armiliato conducts Verdi’s thrilling depiction of life on the edge in his first performances of the work in 29 years. Sir David McVicar’s exhilarating production features Maria Agresta as the noble heroine, Leonora, Yonghoon Lee as the troubadour who loves her, Quinn Kelsey as his rival, and Anita Rachvelishvili as the Gypsy Azucena, whose bloodthirsty curse propels the story.
February 10, 2018
L’Elisir d’Amore by Gaetano Donizetti
Pretty Yende debuts a new role at the Met with her first Adina opposite Matthew Polenzani, who enthralled Met audiences as Nemorino in 2013 with his ravishing “Una furtiva lagrima.” Bartlett Sher’s production is charming, with deft comedic timing, but also emotionally revealing. Domingo Hindoyan conducts.
February 17, 2018
Parsifal by Richard Wagner
Met Music Director Designate Yannick Nézet-Séguin conducts Wagner’s transcendental score, in François Girard’s remarkable production, a mystical theatrical journey. Tenor Klaus Florian Vogt, renowned across Europe, returns to the Met following his appearances in the 2016–17 season as Florestan in Fidelio. Evelyn Herlitzius is Kundry, and Peter Mattei and René Pape bring back their highly praised interpretations of Amfortas and Gurnemanz, respectively.
Please note: this broadcast begins at 9 AM.
February 24, 2018
La Bohème by Giacomo Puccini
The world’s most popular opera returns in Franco Zeffirelli’s classic production, with a series of exciting casts. Sonya Yoncheva takes on the role of the fragile Mimì, with Michael Fabiano as the poet Rodolfo. Marco Armiliato conducts.
March 3, 2018
Madama Butterfly by Giacomo Puccini
Anthony Minghella’s stunning production of Puccini’s heartbreaking opera, an instant Met classic since its 2006 premiere, returns with Ermonela Jaho in the tragic title role of the trusting geisha, with Roberto Aronica as her callous American lover, Pinkerton, and Marco Armiliato conducts.
March 10, 2018
Semiramide by Gioachino Rossini
This masterpiece of dazzling vocal fireworks makes a rare Met appearance—its first in nearly 25 years—with Maurizio Benini on the podium. The all-star bel canto cast features Angela Meade in the title role of the murderous Queen of Babylon, who squares off in breathtaking duets with Arsace, a trouser role sung by Elizabeth DeShong. Javier Camarena, Ildar Abdrazakov, and Ryan Speedo Green complete the stellar cast.
March 17, 2018
Elektra by Richard Strauss
Christine Goerke sings her first Elektra at the Met in Patrice Chéreau’s landmark production, a sensation at its Met premiere last spring, which the Wall Street Journal called “revolutionary … a triumph on all fronts.” Yannick Nézet-Séguin conducts Strauss’s shattering score, a tour de force for the singers and the orchestra alike.
March 24, 2018
Turandot by Giacomo Puccini
Puccini’s grand spectacle of legendary China stars Martina Serafin in the role of the ice princess and Aleksandrs Antonenko as the unknown prince who must thaw her heart or die. Maria Agresta, Hei-Kyung Hong, and James Morris are among the other remarkable artists featured in this cherished Franco Zeffirelli production, led by Marco Armiliato.
March 31, 2018
Così fan tutte by Wolfgang Amadeus Mozart
A winning cast comes together for Phelim McDermott’s clever vision of Mozart’s comedy about the sexes, set in a carnivalesque, funhouse environment inspired by 1950s Coney Island—complete with bearded ladies, fire eaters, and a Ferris wheel. Manipulating the action are the Don Alfonso of Christopher Maltman and the Despina of Tony Award–winner Kelli O’Hara, with Amanda Majeski, Serena Malfi, Ben Bliss, and Adam Plachetka as the pairs of young lovers who test each other’s faithfulness. David Robertson conducts.
April 7, 2018
Lucia di Lammermoor by Gaetano Donizetti
The role of the fragile title heroine who teeters between love and madness is performed by soprano Olga Peretyatko-Mariotti, who has impressed audiences with dazzling bel canto portrayals at the Met. Vittorio Grigolo takes on the role of her lover in this chilling production by Tony Award-winning director Mary Zimmerman. Roberto Abbado conducts.
April 14, 2018
Luisa Miller by Giuseppe Verdi
Plácido Domingo adds yet another role to his legendary Met career in this rarely performed Verdi gem, a heart-wrenching tragedy of fatherly love. Sonya Yoncheva sings the title role opposite Piotr Beczała in the first Met performances of the opera in more than ten years. Bertrand de Billy conducts.
April 21, 2018
The Exterminating Angel by Thomas Adès
Following the rapturous response to his last opera, The Tempest, the Met presents the American premiere of Thomas Adès’s The Exterminating Angel, inspired by the classic Luis Buñuel film of the same name. Hailed by the New York Times at its 2016 Salzburg Festival premiere as “inventive and audacious … a major event,” The Exterminating Angel is a surreal fantasy about a dinner party from which the guests can’t escape. Tom Cairns, who wrote the libretto, directs the new production, and Adès conducts his own adventurous new opera.
April 28, 2018
Cendrillon by Jules Massenet
“Glorious,” raved the New York Times when Joyce DiDonato sang the title role of Cendrillon at the Royal Opera in 2011. “Her performance was thoroughly enchanting.” Now, for the first time ever, Massenet’s sumptuous take on the Cinderella story comes to the Met, with DiDonato starring in the title role. She is paired with mezzo-soprano Alice Coote in the trouser role of Prince Charming, Kathleen Kim as the Fairy Godmother, and Stephanie Blythe as the imperious Madame de la Haltière. Bertrand de Billy conducts Laurent Pelly’s imaginative storybook production.
May 5, 2018
Roméo et Juliette by Charles Gounod
Bartlett Sher’s production of Gounod’s sumptuous Shakespeare adaptation was a hit of the 2016–17 Met season (“a revelation” declared the Huffington Post). Now the sweeping tragedy returns with Ailyn Pérez and Bryan Hymel, both celebrated in French repertoire, as the star-crossed young lovers. Plácido Domingo conducts.