Boito’s “Mefistofele” kicks off the new Met Opera Broadcast Season | Photo by Karen Almond/Met Opera


December 1, 2018
Mefistofele by Arrigo Boito
The spectacular Robert Carsen production returns to the Met for the first time since 2000, with bass-baritone Christian Van Horn as the diabolical title character, tenor Michael Fabiano as Faust, and soprano Angela Meade as Margherita. Mefistofele is the celebrated and only completed opera by Arrigo Boito—who famously collaborated with Verdi on the libretti for Otello and Falstaff.

December 8, 2018
Il Trittico by Giacomo Puccini
Jack O’Brien’s epic production of Puccini’s triple bill features first-class casting: tenor Marcelo Álvarez and soprano Amber Wagner are the illicit lovers of Il Tabarro, with baritone George Gagnidze as the spurned husband; soprano Kristine Opolais sings the shattering title role of Suor Angelica, alongside mezzo-soprano Stephanie Blythe as the Principessa; and the ageless Plácido Domingo takes an unusual comedic turn in the baritone title role of Gianni Schicchi. The performances mark the centennial of the work’s world premiere at the Met. Bertrand de Billy conducts.

December 15, 2018
La Traviata by Giuseppe Verdi
Yannick Nézet-Séguin conducts Michael Mayer’s richly textured new production, featuring a dazzling 19th-century setting that changes with the seasons. Soprano Diana Damrau plays the tragic heroine, Violetta, and tenor Juan Diego Flórez returns to the Met for the first time since 2015 to sing the role of Alfredo, Violetta’s hapless lover. Baritone Quinn Kelsey is Alfredo’s father, Germont, who destroys their love.

December 22, 2018
La Fanciulla del West by Giacomo Puccini
Soprano Eva-Maria Westbroek sings Puccini’s gun-slinging heroine in this romantic epic of the Wild West, with the heralded return of tenor Jonas Kaufmann in the role of the outlaw she loves. Tenor Yusif Eyvazov also sings some performances. Baritone Željko Lučić is the vigilante sheriff Jack Rance, and Marco Armiliato conducts.

December 29, 2018
The Magic Flute by Wolfgang Amadeus Mozart
Now a holiday tradition, Julie Taymor’s beloved production of Mozart’s enchanting fairy tale returns in its abridged, English-language version for families. Soprano Erin Morley, last seen at the Met as a brilliant Olympia in Les Contes d’Hoffmann, is the empowered Pamina, and tenor Ben Bliss is the valiant Tamino. Baritone Nathan Gunn is the comic birdcatcher Papageno, and soprano Kathryn Lewek reprises her hair-raising rendition of the malevolent Queen of the Night. Harry Bicket conducts.

January 5, 2019
Otello by Giuseppe Verdi
Conducting sensation Gustavo Dudamel makes his Met debut leading Verdi’s towering Shakespearean masterpiece, in the first revival of Bartlett Sher’s gripping 2015 production. The cast includes dynamic tenor Stuart Skelton in the title role, star soprano Sonya Yoncheva as the devoted but doomed Desdemona, and outstanding baritone Željko Lučić as the treacherous Iago.

January 12, 2019
Adriana Lecouvreur by Francesco Cilea
Soprano Anna Netrebko joins the ranks of Renata Tebaldi, Montserrat Caballé, and Renata Scotto, taking on—for the first time at the Met—the title role of the real-life French actress who dazzled 18th-century audiences with her on-and offstage passion. The soprano is joined by tenor Piotr Beczała as Adriana’s lover, Maurizio. The principal cast also features mezzo-soprano Anita Rachvelishvili and baritone Ambrogio Maestri. Gianandrea Noseda conducts. Sir David McVicar’s staging, which sets the action in a working replica of a Baroque theater, premiered at the Royal Opera House in London, where the Guardian praised the “elegant production, sumptuously designed … The spectacle guarantees a good night out.”

January 19, 2019
Pelléas et Mélisande by Claude Debussy
Debussy’s only opera, a mesmerizing meditation on love and betrayal, returns to the Met stage for the first time in almost a decade, with Music Director Yannick Nézet-Séguin conducting the landmark score. A pair of brilliant young Met stars, tenor Paul Appleby and mezzo-soprano Isabel Leonard, are the naïve title lovers, and baritone Kyle Ketelsen is the imperious Prince Golaud. Ferruccio Furlanetto, as Arkel, and Marie-Nicole Lemieux, as Geneviève, complete the cast.

January 26, 2019
Marnie by Nico Muhly
Composer Nico Muhly unveils his second new opera for the Met with this gripping reimagining of Winston Graham’s novel, set in the 1950s, about a beautiful, mysterious young woman who assumes multiple identities. Director Michael Mayer and his creative team have devised a fast-moving, cinematic world for this exhilarating story of denial and deceit, which also inspired a film by Alfred Hitchcock. Mezzo-soprano Isabel Leonard sings the enigmatic Marnie, and baritone Christopher Maltman is the man who pursues her—with disastrous results. Robert Spano conducts.

February 2, 2019
Carmen by Georges Bizet
Mezzo-soprano Clémentine Margaine reprises her remarkable portrayal of opera’s ultimate seductress, a triumph in her 2017 debut performances, with impassioned tenor Roberto Alagna as her lover, Don José. Louis Langrée conducts Sir Richard Eyre’s powerful production, a Met favorite since its 2009 premiere.

February 9, 2019
Iolanta by Pyotr Ilyich Tchaikovsky & Bluebeard’s Castle by Béla Bartók
Mariusz Treliński’s haunting production of the pairing of Tchaikovsky’s and Bartók’s one-act operas makes its first return to the stage since its Met premiere in the 2014–15 season. Soprano Sonya Yoncheva—following her triumphant 2017–18 performances as Tosca—is the blind princess, Iolanta, who discovers love for the first time, opposite tenor Matthew Polenzani as the dashing knight Vaudémont. In Bartók’s chilling Bluebeard’s Castle, baritone Gerald Finley is the menacing Bluebeard, and soprano Angela Denoke is his initially unsuspecting new wife. Henrik Nánási conducts.

February 16, 2019
Don Giovanni by Wolfgang Amadeus Mozart
Bass-baritone Luca Pisaroni stars as opera’s most notorious seducer in Mozart’s masterpiece of dark comedy. Cornelius Meister makes his Met debut conducting performances that also include soprano Rachel Willis-Sørensen as Donna Anna, soprano Federica Lombardi as Donna Elvira, and basses Ildar Abdrazakov as Leporello.

February 23, 2019
Rigoletto by Giuseppe Verdi
Verdi’s tragic jester returns in Michael Mayer’s neon-bedecked, Las Vegas–themed production. Baritone Roberto Frontali plays the title role, and soprano Nadine Sierra reprises her portrayal of Gilda, the role that helped launch her now-blossoming Met career. Tenor Vittorio Grigolo plays the lascivious Duke, and Nicola Luisotti conducts.

March 2, 2019
La Fille du Régiment by Gaetano Donizetti
Tenor Javier Camarena and soprano Pretty Yende team up for a feast of bel canto vocal fireworks—including the show-stopping tenor aria “Ah! Mes amis,” with its nine high Cs. Maurizio Muraro plays the comic Sergeant Sulpice with mezzo-soprano Stephanie Blythe as the outlandish Marquise of Berkenfield. Enrique Mazzola conducts.

March 9, 2019
Das Rheingold by Richard Wager
Wagner’s visionary initial installment of the Ring Cycle depicts the original sin of the theft of the sacred golden treasure, the vanity of the gods, the greed of the Nibelungen, the fratricide of the giants, and the building of Valhalla. Bass-baritone Greer Grimsley sings the role of Wotan, the conflicted lord of the gods. Mezzo-soprano Jamie Barton sings her first Wagner role at the Met as Wotan’s embattled wife, Fricka.

March 16, 2019
Falstaff by Giuseppe Verdi
Baritone Ambrogio Maestri brings his larger-than-life portrayal of the title role back for the first time since his Met role debut in the 2013 – 14 season. Robert Carsen’s insightful production—which moves the action to postwar England in the 1950s—features an exceptional cast that includes soprano Ailyn Pérez as Alice Ford and soprano Golda Schultz as Nannetta.

March 23, 2019
Samson et Dalila by Camille Saint-Saëns
When mezzo-soprano Elīna Garanča and tenor Roberto Alagna joined forces for a new production of Carmen at the Met, the results were electrifying. Now this star duo reunites for another sensual French opera when they open the season in the title roles of Saint-Saëns’s biblical epic Samson et Dalila. Darko Tresnjak, who won a Tony Award for Best Direction of a Musical in 2014 for A Gentleman’s Guide to Love & Murder, makes his Met debut directing a vivid, seductive staging, featuring a monumental setting for the last-act Temple of Dagon, where the hero crushes his Philistine enemies. Sir Mark Elder conducts the first new Met production of the work in 20 years.

March 30, 2019
Die Walküre by Richard Wager
In what is expected to be a Wagnerian event for the ages, soprano Christine Goerke plays Brünnhilde, Wotan’s willful warrior daughter, who loses her immortality in opera’s most famous act of filial defiance. Tenor Stuart Skelton and soprano Eva-Maria Westbroek play the incestuous twins Siegmund and Sieglinde. Greer Grimsley sings Wotan. Philippe Jordan conducts.

April 6, 2019
Tosca by Giacomo Puccini
Rising star Jennifer Rowley stars in the title role of the volatile diva at the heart of Puccini’s operatic thriller. Joseph Calleja brings his stylish tenor to the role of Cavaradossi and Wolfgang Koch plays the nefarious police chief Scarpia. Carlo Rizzi conducts Sir David McVicar’s resplendent production.

April 13, 2019
Siegfried by Richard Wager
Orphaned at birth, Siegfried learns his true identity and fulfills his destiny to become Brünnhilde’s savior and lover. Tenor Stefan Vinke sings the heroic title character. Christine Goerke sings Brünnhilde, and Michael Volle sings the role of the enigmatic Wanderer. Philippe Jordan conducts.

April 20, 2019
La Clemenza di Tito by Wolfgang Amadeus Mozart
Mezzo-soprano Joyce DiDonato sings Sesto at the Met for the first time, and tenor Matthew Polenzani adds yet another role to his extensive Mozartean repertoire as Tito. Mozart’s opera of vengeance and forgiveness, set during the Roman Empire, also stars sopranos Elza van den Heever as Vitellia, with Ying Fang, Paula Murrihy, and bass Christian Van Horn completing the principal cast. Lothar Koenigs conducts.

April 27, 2019
Götterdämmerung by Richard Wager
Wagner’s epic cycle concludes with acts of betrayal, murder, vengeance, and, finally, the destruction of the world. Christine Goerke plays Brünnhilde, whose heroic self-sacrifice paves the way for humankind’s redemption and rebirth. Andreas Schager takes on the role of the hero Siegfried, and Eric Owens is Hagen. Philippe Jordan conducts.

May 4, 2019
Aida by Giuseppe Verdi
In what should be a highlight of the new season, soprano Anna Netrebko sings her first Met Aida, going toe-to-toe with mezzo-soprano Anita Rachvelishvili as Amneris. Tenor Aleksandrs Antonenko stars as Radamès while Nicola Luisotti takes the podium for the Met’s monumental production.

May 11, 2019
Dialogues des Carmélites by Francis Poulenc
Yannick Nézet-Séguin leads the classic John Dexter production of Poulenc’s devastating story of faith and martyrdom. Mezzo-soprano Isabel Leonard sings the touching role of Blanche and soprano Karita Mattila, a legend in her own time, returns to the Met as the Prioress.