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Saturday Morning Car Tunes: Felix Mendelssohn, Pt. II
Symphonies, overtures, Songs Without Words, oratorios with words, and one of the greatest violin concertos ever written—tune in this week for Felix Mendelssohn, Part Two!
Saturday Morning Car Tunes: Felix Mendelssohn, Pt. I
Felix Mendelssohn was a child prodigy who became one of the great Romantic composers. Drawing on Bach’s counterpoint, Mozart’s grace, and Beethoven’s drama, his music marries Classicism and Romanticism.
Finding Beauty in Historical Ruins
Explore how ancient ruins inspire classical music, from Felix's Scottish Symphony inspired by Holyrood Palace to Zipoli's works found in decaying South American churches.
Chapman Challenge: The Mystery of Mendelssohn’s Bach Revival
This article discusses how Felix Mendelssohn revived interest in Bach's music in 1829, leading to a renewed appreciation for the Baroque period.
Saturday Morning Car Tunes: Hollywood
What's the music that makes movies magical? This week, tune in for the Hollywood soundtracks behind your favorite films, from the magic of Disney to the galaxies of Star Wars and the mountains of Middle-earth.
Virtuosity and Nostalgia: Teresa Carreño and Chopin
Explore the life and music of Teresa Carreño, a South American composer and pianist, and her significant influence from Frédéric Chopin.
10 More Composers With Latin American Roots You Should Know
Explore the lives and works of ten influential female composers from Latin America, spanning various genres and periods, from opera to electronic music.
10 Composers From Across Latin America We’re Celebrating This Month!
Explore the rich heritage of Hispanic music through these 10 influential composers, from Teresa Carreño to Gabriela Ortiz.
Saturday Morning Car Tunes: Frédéric Chopin, Pt. II
What makes Chopin sound like Chopin? This week, études, préludes, and songs! Oh, my!
The Story Behind “Appalachian Spring,” the Ballet
Explore the history of Appalachian Spring, a ballet commissioned by Elizabeth Sprague Coolidge, composed by Aaron Copland, and choreographed by Martha Graham.
