Find Us on Social Media:
Classical Californians: Radu Paponiu
Radu Paponiu, the Music Director of the San Francisco Symphony Youth Orchestra, joins as this week's Classical Californian.
Amplify: Conductor Thomas Wilkins
Lara Downes speaks with conductor Thomas Wilkins for the latest edition of "Amplify".
Classical Californians: Nicholas McGegan
Conductor Nicholas McGegan is this week's Classical Californian
Classical Californians: Valérie Sainte-Agathe
This week's Classical Californian is Valérie Sainte-Agathe
Classical Californians: James Conlon
This week's Classical Californian is James Conlon, Music Director of LA Opera
Open Ears: The Trailblazing Journey of Rudolph Dunbar
Explore the life of Rudolph Dunbar, the first Black man to conduct the Berlin and London Philharmonics, his fight for racial equality, and his mysterious career decline.
Classical Californians: Jaime Martín
Jaime Martín, conductor of the Los Angeles Chamber Orchestra is our guest host
Classical Californians: Irene Messoloras | Tune in Wednesday at 7pm!
Irene Messoloras is a member of the University of California, Irvine music faculty, the conductor of Meridian, and this week's Classical Californian.
Classical Californians: USC President Beong-Soo Kim
This week’s Classical Californian is cellist and the University of Southern California Interim President Beong-Soo Kim.
Classical Californians: Lincoln Jones
Lincoln Jones, artistic director of the American Contemporary Ballet, is this week’s Classical Californian.
Beethoven’s Quartet of ‘Thanksgiving’
Beethoven's String Quartet in A Minor, Op. 132, features a movement expressing gratitude for recovery from illness. It alternates between prayerful chorales and lively sections, reflecting his mortality.
The Story Behind “Appalachian Spring,” the Ballet
Explore the history of Appalachian Spring, a ballet commissioned by Elizabeth Sprague Coolidge, composed by Aaron Copland, and choreographed by Martha Graham.
The Mystery Behind Scriabin’s Mystic Chord
Explore the life of Russian composer Alexander Scriabin, his obsession with the occult, and his creation of the "mystic chord" used in his compositions.
