Find Us on Social Media:
Classical Californians: Lesley Robertson
Lesley Robertson, violist with the St. Lawrence String Quartet is our Classical Californian
Saturday Morning Car Tunes: The Viola
Explore the rich history of the viola, its unique sound, and its rise from a supporting role to a star in the orchestra. Tune in Saturday to learn more about this underappreciated instrument.
The Difference Between a Viola and a Viola Da Gamba
In this Chapman Challenge, Alan explains the differences between a viola and a viola da gamba, highlighting their physical characteristics, how they're played, and their historical context.
Get to Know the Quintessential Underdog of the Orchestra: The Viola
Explore the unique role of the viola in orchestral music, often overlooked but crucial in connecting melodies. Discover five standout viola moments in orchestral literature.
Some Props for the Viola, Please!
Royal Birmingham Conservatoire student, Alistair Rutherford, sets a Guinness World Record for the fastest marathon in a viola suit, raising funds for ARCO charity.
Classical Californians: Wu Han
This week’s Classical Californian features award-winning pianist and Co-Artistic Director of Music@Menlo, Wu Han.
Finding Beauty in Historical Ruins
Explore how ancient ruins inspire classical music, from Felix's Scottish Symphony inspired by Holyrood Palace to Zipoli's works found in decaying South American churches.
10 Composers From Across Latin America We’re Celebrating This Month!
Explore the rich heritage of Hispanic music through these 10 influential composers, from Teresa Carreño to Gabriela Ortiz.
Classical Californians: Lina González-Granados
Lina González-Granados, resident conductor of the Los Angeles Opera is this week's Classical Californian
Saturday Morning Car Tunes: Frédéric Chopin, Pt. II
What makes Chopin sound like Chopin? This week, études, préludes, and songs! Oh, my!
The Story Behind “Appalachian Spring,” the Ballet
Explore the history of Appalachian Spring, a ballet commissioned by Elizabeth Sprague Coolidge, composed by Aaron Copland, and choreographed by Martha Graham.
